Concerts coming @ Germany, Slovakia, Austria and The Netherlands

09.10 @ Hamburg, Galerie 21
13.10 @ Dresden, TBC
14.10 @ Bratislava, Mikrōzvūk
16.10 @ Vienna, Velak-Gala
18.10 @ Graz, Interpenetration
19.10 @ Rotterdam, Worm Rotterdam
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Evamuss concerts in Germany and The Netherlands

03.09 @ Madame Claude, Berlin fb event
06.09 @ Loophole, Berlin (as Dj) fb event
07.09 @ Odradek, Chemnitz fb event
08.09 @ Kopfsalat, Leipzig
14.09 @ Varia, Rotterdam fb event

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Electromagnetic Detritus Performaces in Germany & Denmark

22.06 @ Rotterdam, De Player
25.06 @ Hamburg,  MS Stubnitz
27.06 @ Aarhus, Udstillingsstedet Spanien19C
28.06 @ Svenborg, Ved siden af
30.06 @ Copenhagen, Floating City

 

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Evamuss ::: + ::: Dj Sajjra ::: @ Baltic cities


03.06 Rotterdam, Amplified Hearing sound-walk @ Charlois Special
03.06 Rotterdam, Evamuss @ Balcony Festival
07.06 Vilnius, Evamuss @ Kirtimų kc
07.06 Vilnius, Dj Sajjra @ Yucatan Bar
08.06 Mažeikiai, Evamuss @ Menu Stotis
09.06 Palanga, Dj Sajjra @ Oldman
10.06 Kaunas, Dj Sajjra + Evamuss @ Po tiltu prie pilies
13.06 Kaliningrad, Underground From The Highlands, artist talk @ Virota gallery
14.06 Kaliningrad, Evamuss @ Ping Ponger
15.06 Kaliningrad, Dj Sajjra @ Katarsis
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Amplified Hearing | soundwalk @ Charlois Special

A sound-walk to experience some soundscapes of Charlois from their different dimensions (electromagnetic fields, vibrational objects, sub-aquatic flows, echolocative actions, etc.). We will give attention to the flow of the hidden acoustic energy, altering our perception of the daily life. Bring your bike!.
FREE ENTRANCE.
FOR TECHNICAL REASONS THE NUMBER OF PARTICIPANTS WILL BE LIMITED, SO PLEASE RESERVE IN ADVANCE YOUR PARTICIPATION via private FB message or to the e-mail galchrs (at) gmail (dot) com
In collaboration with Cultuurbuur
Links related to the “Amplified Hearing”:
http://sajjra.net/chrs/?page_id=2440
http://www.documenta14.de/en/public-radio/14733/raw-field-recordings-ii-electromagnetic-detritus
http://sajjra.net/chrs/?page_id=668
http://sajjra.net/chrs/?page_id=2209
Links related to Charlois Festival:
http://charloisspeciaal.nl/
https://www.facebook.com/events/392595234551867/
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IA Maastunnel @ Sonic Chair (Münster, May 2018)

http://www.gerngesehen.de/?p=1637#more-1637

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Concerts coming February – March – April 2018

11_14.04 @ Barcelona (TBC)
10.03 @ USB – Union Simbiotica, Barcelona
03 – 07.04 @ Madrid (TBC)
31.03 -01.04 @ A Da Maxada Aniversary,Setubal
31.03 @ Festival Lua Ceia, Setubal
27-30.03 @ Andesground House, Tavira
26.03 @ Disgraça, Lisbon
24.03 @ Liceo Mutante, Pontevedra
23.03 @ Porto, Café Au Lait
14.03 @ VillaK, The Hague
03.03 @ WORM-Wunderbar, Rotterdam
24.02 @ Attent, Rotterdam

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Reviews of some last releases

Review of “Raw Field Recordings II: Electromagnetic Detritus” in Vital Weekly 1094 (NL) / Reseña de “Raw Field Recordings II: Electromagnetic Detritus”
http://www.vitalweekly.net/1094.html
“For some time now Chrs Galarreta lives and works in The Netherlands, having left his homeland Peru, even when he is here too something of a nomad. Traveling to and from places to perform his or install his sound art pieces he is a keen listener to the environment around him. Usually armed with hand-made electromagnetic transducers, which pick up sound that may not be audible to the human ear. On ‘Raw Field Recordings II’ you just get that; raw field recordings without any transformation, from Lima to Vienna and from Paris to the Lacandona Jungle, and it’s all quite noisy with heavy electrical sparks and current, line hum from inside a train, fluorescent lamp, mobile phone or an electric generator box. It is not something you haven’t heard before; think for instance of the work of Joe Colley or Disinformation, but Galarreta does an equally interesting job as those composers, which culminates in the longest track here, a live recording from Paris, in which, so I assume, he uses all of those field recordings (found on this disc, or otherwise) to create a collage of these somewhat unusual recordings, tying him into the world of Colley and Meirino even more. Quite a beauty this recording and with some excellent suppressed aggression.” (Frans de Waard)
Some reviews of MARDOLOR release in Darkroom Magazine (IT) and Vital Weekly 1094 (NL) / Algunas reseñas de MARDOLOR
http://www.darkroom-magazine.it/ita/106/Recensione.php?r=3869
http://www.vitalweekly.net/1094.html
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MUOZIK / SAJJRA / SZMIDT / Wł-Wył , Touring @ Poland

13.12 Kraków
15..12 Galeon, Kielce
16..12 Rybnik
17..12 Masłów
18.12 Siedem Pokoi, Kielce
Contact me for more info.
Video: Sajjra soundcheck @ Set/30 (Nantes – France, 11/12/2015).
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Four sound pieces for a sonic chair


Soundwaves
Four sound pieces for a Sonic Chair
30 September 2017 –
30 December 2017
Permission free
KÖLN   |  MAKK, An der Rechtschule, Köln (D)
As part of the sound art series soundwaves*, curated by Georg Dietzler, four sound artists composed each one piece for a loudspeaker design-furniture, a 350 degrees revolvable sonic
chair sc01, first model range from 2008. Similar to a music instrument, the form of the sonic chair is determined by the acoustics: sitting at the centre of the sound supports the spatial perception of the recording. Whereby, the deep frequencies are transmitted to the listener’s back by a structure-borne sound membrane. Loudspeakers in the sonic chairs canopy all together generate a special listening experience more for the person sitting in the chair than for the ones being close by.
Andreas Oskar Hirsch
ROW OUT, 2011/2017
The recording was taken aboard the ARAD, a lifeboat of the Dutch rowing team Roeiteam Terschelling Recreatie. The focus is on the coxswain’s commands which resemble a funk singer’s ones and which make the team become one body working their way through the waters.
 www.hirschonhirsch.com
Achim Mohné
Music for, by & through a Sonic Chair sc01, 2017
Making inaudible audible – you’re listening to electromagnetic emissions of this sonic chair sc01, only. Its inaudible effects of electromagnetic fields by its various electronic components are decoded by a guitar pick-up into sound, live recorded, played as audio material into the chairs sound system again. 
www.achimmohne.de
Janneke van der Putten & Chrs Galarreta 
I.A. Maastunnel, 2017
Raw field-recordings, no electronic effects, of sound research inside the 500 meter long Maastunnel in Rotterdam/NL, running under the Maas river. The space is explored through different experiences and ways of listening: by doing sound-walks and performative interventions, and by recording sounds that are sometimes (in)audible to human ears. The recorded mechanical sounds were produced by people and machines in the tunnel, making audible the hidden ‘voices’ resonating in the tiled tunnel architecture.
Chrs Galarreta: http://sajjra.net
www.jannekevanderputten.nl
Miki Yui
ellecsielle, 2017
Delicate signals, from a tiny hiss to a distant hum are crafted into pieces of music
charged with narrative tension. Miki Yui is known for her own unique style of composition of electronics, field recordings and recorded sounds, balancing between minimalistic and organic rhythms, subtle nuances for her soundscapes.
www.mikiyui.com
www.sonicchair.de
www.museenkoeln.de/museum-fuer-angewandte-kunst/
The sound art series soundwaves, curated by Georg Dietzler, presents loudspeakers as instrument, staged in- and outdoors in special listening settings. It does include various private consumer home loudspeaker systems, the sonic chair sc01 listening furtniture, a DIY speaker-sculpture, new speaker inventions and speaker sculptures as part of current sound research and material science. In staged speaker arrangements audience experience impacts of architectural building materials, room acoustics, acoustic reflections, listening at public sites, etcetera.
Thanks to all funding bodies MUSIKFONDS, Kunststiftung NRW, Kulturamt der Stadt Köln and cooperating partner Museum für Angewandte Kunst Köln.
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